This post is cross-posted with www.MissRepresentation.org, in advance of the film’s debut tonight on OWN, 9pm (8c).

In Miss Representation, actress-activist Rosario Dawson talks about how important it is for women to write their own stories. This is equally important in entertainment and in journalism alike.Yet as I discuss in the film, today’s media climate is extremely toxic for women and girls, and for people of color. That’s because the main purpose of TV programming today is not to entertain, engage or inform us. Sad but true: the purpose is generate sky-high profits for the six major conglomerates (Disney, Time Warner, NewsCorp, Viacom, CBS and General Electric) that own and control the vast majority of what we’re given to watch, see, hear and play in newspapers, magazines, TV, radio, movies, billboards and video games.

As a result, women are misrepresented and marginalized as op-ed writers, front-page news sources, lead anchors, and broadcast journalism commentators… that is, when they aren’t missing entirely (as decades of research document). Scripted entertainment isn’t much better. As filmmaker Nia Vardalos wrote at WIMN’s Voices, Hollywood studios ignore data that show that audiences actually do want to support films with strong female leads, calling the success of “Sex and the City” and “Mamma Mia” “a fluke.” When Nia tried to follow up her hit “My Big Fat Greek Wedding” with a new script, studio execs pressured her to change female leads to male characters—exactly the opposite of the kind of climate Rosario Dawson is rightly calling for.

DVR Alert: Tune in to the award-winning documentary “Miss Representation” TONIGHT, Oct. 20, 9pm(8c) on OWN (the Oprah Winfrey Network).

I had the honor of being an adviser on — and being interviewed in — this powerful film about women and the media. “Miss Representation” is the first mainstream film to delve into sexism in commercial media — from advertising and pop culture’s sexualization of girls, to triggering eating disorders, to media normalizing violence against women, to reality TV as anti-feminist backlash (which I discuss both in the film and Reality Bites Back), to double standards in news reporting on female politicians, to the trivialization of women who work in broadcast news, to the causal role advertising and media consolidation plays in all of this, to the need for media literacy to help youth and adults become more active, critical media consumers.

OWN will decide whether to re-air “Miss Representation” based in large part on the ratings it draws tonight. So please tune in… and ask five friends to set their DVRs as well. Tweet it, Facebook it, email people. (If for no other reason than the cognitive dissonance that results from seeing me and former Secretary of State Condoleezza Rice agree on something!)

On Tuesday, Jezebel posted (and Gawker cross-posted) an excerpt from the violence against women chapter of Reality Bites Back, focusing on “The Exquisite Sadism Of America’s Next Top Model.” By 9am today, the post had received more than 31,000 views, 315 comments,

and 414 “likes” on Facebook.

When Jezebel asked to excerpt that particular section, I had a feeling it might strike a chord. In all the press since the book launched on Nov. 1, no media outlets have picked up on my discussion of the way reality TV both normalizes and glamorizes violence against women. (A few have asked me about the many male participants in reality dating and lifestyle series who have had restraining orders, arrest histories and even jail sentences in their past for harassment, battery or sexual assault.) So I was glad to know that their readers would be able to sink their teeth into this analysis of the dangerous messages Tyra Banks sends on America’s Next Top Model, in the name of “empowering” girls.

This 800+ word excerpt is just a small taste of a 10,000+ word chapter, but I hope you’ll enjoy it. If “enjoy” is the right word for an essay about girls being instructed that, for

Today on CBC Radio, I spoke with Day 6 host Brent Bambury about the suicide of Joseph Cerniglia, a participant on Gordon Ramsey’s Fox reality show, Kitchen Nightmares. [Listen to the interview at the link above, 17:38-24:05]

When the troubled restaurant owner was trying to prove himself on Ramsey’s show, taped in 2007, the vitriolic celebrity chef told him, “Your business is about to f**king swim down the Hudson.” Last week, his body was found in the Hudson, his death ruled a suicide.

If this was a scripted film, critics would say that connection was a bit too on-the-nose.

This marks the second Ramsey reality alum to take their own life. The first was Rachel Brown, who shot and killed herself in 2007 after appearing on Fox’s Hell’s Kitchen in 2006.

As I told Day 6, I do not blame producers or networks for these suicides–but I also do not consider them shocking, in the least. There should be some accountability from networks for the dangerous game they play when they actively seek to cast just the sort of personalities one would assume would be viewed as untenable for shows in which people live together in high-stress environments. And while not all reality show participants are unstable, even those who start off even-keeled often face taping conditions that are designed to break them down, including: sleep deprivation, limited food, ever-present alcohol, constant surveillance, isolation from the outside world, no communication with friends and family beyond sporadic recorded conversations–all of which have been used by intelligence agencies as elements of torture.

Yesterday, I blogged about new network market research claiming that women want to see bloody, gory violence perpetrated by their small-screen counterparts — and why that interpretation of the research reflects a crisis of vision on the part of programming decision-makers.

Today, I discussed this issue with The Today Show’s Amy Robach, explaining that it’s not the blood and violence women want–it’s fully fleshed-out, well-written, strong, smart, witty female characters with agency. (I described this as the opposite of all those babes fighting for the lone Y chromosome in their midst on reality shows like The Bachelor and sniping at each other on frenemy series like The Real Housewives.) Check it out:

“What Women Want to Watch on TV,” The Today Show, NBC, Sept. 4, 2010:

I’ll add to this post a bit later — so, stay tuned for details about why the segment was framed around female TV heroines, rather than “women want blood!” as it was originally going to be. But since I woke up at 5:30am to get to the studio on time, you don’t want me writing much right now.